We are no outsider to the work of self-taught Italian creative person Alberto Seveso. We just love his spectacular Ink Portraits, Beibeees and his LEGO Ink Riders, he is so incredibly accomplished at documenting colorful liquids as they gradually mix with water. Now, he wows us again with this captivating portrait of music creative person Ayaka.
The sequence of images assist as the wrapping for her lone, Beautiful. Using his trademark method, Seveso changes the spectacular portrait of Ayaka into a ocean of wispy colors. He benefits two color palettes, one is a cooling collection of purples, blues, and pinks, while the second is a warmer palette of pinks, reds, and yellows. In both versions, the viewer is drawn in by Ayaka's soft characteristics and her sad expression, and then Seveso's manipulations keep us lingering to discover her slow disappearance into a blur of smokey liquids.
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In these dramatic countrysides, photographer Lisa Wood flawlessly blurs the line between truth and abstraction. The sequence, deserving Art of Farmland, articles the gorgeous rural areas of the artist's hometown in Sun Valley, Idaho. although, as viewers gaze upon the visually spectacular images, it becomes evident that these aren't your typical farmland scenes.
By blending multiple exposures and utilizing time lapse techniques, Wood changes an everyday instant into a playfully surreal excursion. The creative person merges geometric lines and patterns with bold, vibrant colors to conceive the painterly compositions. She states, "My hope for the viewer is to look at rural countrysides in a distinct way and to hopefully realize both the fantasy behind the images and the feelings they evoke."
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New York-based creative person Nathan Manire advances his spot Portraits with an abstract, graphic method. He uses large dots and a very wide hue palette to construct his topics' faces with waterhues. Up close, viewers glimpse colorful rounds, precisely arranged in organized lines. To more completely realise Manire's pointillist methods, viewers need to peep their eyes or step back from the image in alignment to glimpse the faces emerge from the large patterns of circular shapes.
Some of Manire's portraits are founded off of the road photography of Peter Zelewski. Manire uses the large minutia of each image as the basis for his magical transformation into rudimentary form and hue. The artist's incredible gifts have become rather well liked, and have been featured in Wire publication and on the Gotye 2012 trip poster.
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Colorful blasts apprehended after a balloon covered with decorate is pierced with a needle.
This sequence is a continuation of my study of manipulating decorate with distinct natural forces. In the “Black Hole” sequence, it was centrifugal force, that formed the paints into colorful carousels. This time I utilized air pressure to conceive what I call “liquid jewels”. The structures you glimpse are modeling balloons enclosed with paint right after they have been pierced with a needle. The air interior the balloon elaborates explosively, throwing the decorate in all distinct directions. What I particularly love about the images is that if you gaze nearly, you can glimpse,how the one-by-one shades start to mix with each other, azure and magenta becomes violet, red and yellow becomes orange within a couple of microseconds, the paint into the most beautiful combinations and then its gone again. What continues is the capture of that firework of colors, frozen in time.
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Every lone day in 2013 San Francisco-based creative person Klari Reis is conceiving an abstract decorating interior the confines of the humble petri bowl, a cylindrical canister utilized by biologists to heritage the development of units and algae, certain thing the paintings appear to exactly resemble. Called ‘Daily bowl 2013‘ the project is a continuation of a sequence Reis accomplished back in 2009, but at a cursory glance I’m already enjoying the 2013 sequence much more. Regardless of the limitation of intermediate and space, it’s astonishing to see the variety of color and deepness each painting has, for some cause it recalled me of Jason Fried’s 2007 SvN mail about the variation of watch faces.
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